GOOD SOUP PRODUCTIONS Inc.

Good Soup Productions is helmed by Emmy Award-winning Producer/Director Ric Esther Bienstock. For the past 20 years, Bienstock has partnered with various producers creating a body of work that has aired internationally on every major network including HBO, PBS, CNN, Discovery, National Geographic, A&E, TLC, Animal Planet, CBC, TVO, History Channel, Shaw Media, Channel 4, BBC, ITV, ZDF/Arte, ProSieben and more.

GOOD SOUP PRODUCTIONS is an award-winning production company dedicated to producing premium documentary programming for the international broadcast and theatrical market.


Good Soup Productions is helmed by Emmy Award-winning Producer/Director Ric Esther Bienstock. For the past 20 years, Bienstock has partnered with various producers creating a body of work that has aired internationally on every major network including HBO, PBS, CNN, Discovery, National Geographic, A&E, TLC, Animal Planet, CBC, TVO, History Channel, Shaw Media, Channel 4, BBC, ITV, ZDF/Arte, ProSieben and more.

Good Soup’s most recent film, The Accountant of Auschwitz, is currently screening on the documentary Channel and GEM in Canada and Netflix worldwide.

Bienstock’s documentaries include the critically acclaimed feature documentary Tales From the Organ Trade which screened at 40 festivals and garnered over 20 awards including the Edward R. Murrow Award, 4 Canadian Screen Awards, 2 Amnesty International Awards, and 2 Emmy nominations. She most recently completed the award-winning series Enslaved, (for Associated Producers) featuring and executive produced by Samuel L. Jackson. Other films include the Emmy, Edward R. Murrow, Royal Television Society (UK) Award-winning, BAFTA-nominated Sex Slaves (aka The Real Sex Traffic), the Dupont- Columbia and Gemini Award-winning Ebola: Inside an Outbreak (aka Plague Fighters) and the IDA Distinguished Documentary Achievement and Gemini-winning Ms.Conceptions.    



Recent praise for Tales from the Organ Trade:

 
This is a serious, superb and essential documentary that cuts through the sensationalism and hysteria surrounding its subject. It’s one of the most impressive, and incisive, works of investigative journalism I’ve seen onscreen in a long time. It’s also a virtuosic feat of story-­telling… a nuanced, analytical portrait of the fierce ethical dilemmas on both sides of the issue.
— Maclean's